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Avotcja

Avotcja is a poet, radio producer, playwright, multi-instrumentalist, bandleader, and radio DJ. 

Avotcja is a long-time Oakland resident who embraces her linguistic and musical heritage from the United States and Latin America in a flexible identity expressed in her book of poetry and prose With Every Step I Take 2 (Taurean Horn Press 2022), and her performances with the Electric Squeezebox Orchestra and Avotcja & Modupue, with veteran American American jazz musicians Francis Wong and Jon Jang.

She is a member of DAMO (Disability Advocates Of Minorities Organization), PEN Oakland, California Poets In The Schools, Local 1000 American Federation of Musicians, and an ASCAP recording artist.

Avotcja & Chimes _ San Jose Jazz Festival August 11 2012 foto Tom Ehrlich adj.jpg

Photo by Tom Erlich

The Everpresent Rhythm of Dreams

In an inappropriately humble attempt

To take

Some of the overwhelming (purifying) pressure

Off the hard working folks of Arizona & Alabama

I rented an upscale storefront

And opened a ritzy Employment Office

To help Anglicize the workforce in the fields

It was just my small way to silence the fury

To put an end

To the rage of the unemployed American citizenry

And fill all the seats

Behind every Sewing Machine in the Garment Industry

With card carrying children of

The Daughters of the American Revolution

It was my hope

To replace the ungrateful, rabble rousing College kids,

Wild Afro hair, Dashiki wearing & minimum wage earning

Paperless Farm-workers, as well as all those alien looking

Service Workers & Janitors in the Office Buildings,

And Hotels & Hospitals with

A patriotic army of “all American good old Boys”

 

On the day we finally opened

We stood feeling good, we had done our homework well

And had left no stone unturned

We were ready for the job hungry crowds

We opened those doors @ five thirty Monday morning

Complete with smiling faces

And a Capucchino with every Application

Nobody came…

Tuesday, Wednesday, it was the same old story

Thursday, Friday, Saturday & even Sunday

Nobody came…

And the following Monday

To add insult to injury

We only had one applicant who could barely stand up

And he thought we were a Blood Bank

 

Oh well, I tried

Many have tried to turn this stupidity around

Many, much wiser than me, have died

Trying to make this world, a world worth living in

Truth is,

We are everywhere, we just don't sell newspapers

I can only hope

The powerful beauty of the un-newsworthy majority

Will succeed

In drowning the ugliness of the disciples of hate

But life goes on

And I continue to dance & write & cry & laugh

And scream in the face of madness

And I’ll go to my grave singing about castles in the sky

Still hanging on to rainbows

Still standing

Standing strong

And still living in the rhythm of my dreams!!!

Previously printed in Civil Liberties United: Diverse Voices from the San Francisco Bay Area, edited by Shizue Seigel, Pease Press, 2019

Reflection Question:

 

What is the tone of this poem? What is the purpose of satire?

How has labor been politicized in the U.S.?

 

And how do the politics of labor show up in your community?

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