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“Rattle Frog,” bead work by Kim Shuck, 2013. Photo by Douglas A. Salin.

“Boundries” by Kim Shuck


It’s dangerous to be a
Secret centuries of practicing
Translucency can render you
Fragile or
Inaudible, changing political fashion regarding
Inclusion can trigger
Chameleon impulses can redraw
Ancient boundaries darker than they
Ever were can even create new
Fences or we can make real choices
Can choose to see one another

Kim Shuck is a complicated equation with an irrational answer. She has written three solo books and one chapbook. Her next book is being published by City Lights Press and will be called Deer Trails. In June 2017, Shuck was named the 7th poet laureate of San Francisco.

Shizue Seigel is a Japanese American writer and visual artist. Her 20 years of creative activism are inspired by her family’s World War II incarceration and her experiences in skid row, Indian ashrams, corporate cubicles, marginalized communities and public housing.

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Oaxaca students blend present realities with Indigenous roots at an end-of-semester celebration, 2013. Photo by Shizue Seigel.

Wind River Reservation, 2007. Photo by Shizue Seigel.

“For Half a Millennium & More” by Rafael Jesús González


to Berta Cáceres (3/4/1971-3/2/2016)
& all the martyrs of the Americas
killed defending the Earth


For half a millennium & more
we have died defending
the land, the forests, the rivers
from foreign invaders
blinded by greed,
crazed by profit
in bloodied coin.
We have suffered traitors
Infected by that madness
that for that same coin
sell their own gods.
Our bones sow the earth,
Our blood waters it,
& the sacred corn
sometimes tastes bitter to us.
But we go on struggling
& our bones & our blood
will grow a new flowering world.

 

It has been three years today that Berta Cáceres, activist for indigenous and human rights, defender of the Earth and founder of The Civic Council of Popular and Indigenous Organizations of Honduras (COPINH), was killed because of her work in the name of justice. And still, for her and her companions in Honduras killed or imprisoned, there is no justice from an oppressive government supported by the United States of America. (And her fellow citizens fleeing poverty and violence in Honduras who come to the Mexicana/U.S. border seeking refuge in the U.S. are persecuted and their children separated from their parents by that same U.S. friend of dictatorships.)

 

Thinking today of Berta Cáceres, let us think of the many martyrs like her throughout Central America and the entire world, so many of them great women. Let us think of them especially this Women’s History Month, this March 8 International Women’s Day.

 

I have long said that the time has come for such women as she to take the reins of leadership throughout the world. The patriarchy has run its course for millenniums and brought us dangerously close to the edge of extinction. What the world now calls for is the ascendancy of the feminine, the mammalian nature to bond, foundation of love, compassion, of nurturing, of caring, protecting. And the time has come for us men to liberate and cultivate the feminine in us—and for humanity to come together to create a new world of Justice deeply rooted in Love. I am inspired by the indications that this is happening. Women such as Alexandra Ocasio-Cortez, whom we have elected to the U.S. House of Representatives, and the many women leaders of heart and conscience throughout the states and the whole world inspire me.
 

Rafael Jesús González taught Creative Writing and Literature at Laney College, Oakland and founded the Mexican & Latin American Studies Department.
He was Poet in residence at the Oakland Museum of California and Oakland Public Library 1996. Thrice nominated for a Pushcart Prize, he was honored in 2013 by the National Council of Teachers of English for his writing and for Lifetime Achievement by Berkeley in 2017. He was named Berkeley’s first Poet Laureate in 2017.

“The Haunting” by Sandra Wassilie


I.


The women are leaving the village
They are leaving trauma


Trauma of ruptured tradition:
      The Old Ways simmer while
            children attend schools taught by strangers
            women work the local wage jobs
            elders lament loss of language       the dance      the hunt

 

      Modern demands New Ways overcome       minimize tradition

 

Trauma of economic change:
      Gap between TV reality and reality village
            hunters imprisoned in villages made stationary
            animals managed for sport for cash
            diminished food for the village table

 

      Husbands go away for wage jobs instead of hunting—not all go
            or change


Trauma of personal despair:
      Chaos erupts when the mail plane lands heavy with freight
            the village on fire with alcohol-fueled anger
            something inside people dies

 

      Elders angry with youth—youth strike out at each other
            or give in       give up
      Husbands jealous of wives working       wives worried about children
            losing their way       to despair

 

Some sometimes hit rape      shoot       kill       sometimes kill themselves

II.


So the women are leaving the village
            the Old Ways no longer work there
            the young thirst for New Ways


I left long ago


They are leaving for the city       for jobs       for safety
      they are taking the Old Ways with them
      they are mixing them with New Ways


They are mixing their culture       their bodies


I mixed culture
I       Outsider      arrived in the village
Mixed my body with one born to the village
Wise Women wearing kuspuks spoke to me in dreams
Warned me to respect the Old Ways
To bring the Old Ways forward      to bring my children
Mixed children forward into the mixed world
The mixed world is finding New Ways
The voices of the Wise Women echo in the New Ways

 

      to stay the hand       steady the hand      study
The New Ways are remembering the Old Ways


That is my work       to help the remembering
 

Born in San Francisco, Sandra Wassilie lived most of her life in Alaska. Currently an inhabitant of Oakland, she frequently returns to visit her children and grandchildren of mixed Scottish-Irish-Mexican and Yup’ik Eskimo heritage. For more than 60 years, she has witnessed changes in the land and its indigenous cultures. She writes of places she has been and of the adaptations people make to survive loss and trauma inevitable in an increasingly crowded, often confusing, multicultural world. Wassilie has served as managing editor and poetry editor for Fourteen Hills,  and  cofounded the Bay Area Generations Reading Series. Her poetry appears in a chapbook Smoke Lifts and in several literary publications. Wassilie is recipient of the Ann Fields Award (2011) and Celestine Award (2014) for poetry.

“Sand Creek” by Francée Covington


On my way to visit the Denver Art Museum, I encounter an art installation composed of a series of nine-foot-tall bright red Y-shaped towers with writing on them. The lettering lets me know that this isn’t just any shade of red, but blood red, because the installation is an homage to the Native American tribes all but wiped out as a result of American Imperialism.

 

I stand under one and then another. The words on the second Y go from top to bottom and read:


Gold
WARS
STARVE
SUFFER

 

1858
YUTAHS
8000

 

1878
YUTAHS
4000

 

1920
YUTAHS
2000

RENEW

 

One of the last monuments I view has four simple lines—one date, three
words. I stand on my toes and crane my neck to read:

1864
SAND
CREEK
MASSACRE

I think because it’s so stark, the wording so succinct, that this event must have been so horrendous that it stands alone in the annals of local history or because most local people viewing the installation will already be familiar with the event and therefore nothing more needs to be said. On this day, I don’t know anything about Sand Creek. Days later, when I return home, I discover through research that I am right on both counts. In the bloody history of U.S.  government and Native American relations, the Sand Creek Massacre is a singular monstrosity, a crime against humanity which makes it difficult for me to keep a dry eye as I read about the history.

 

In 1851 the land holdings of the Cheyenne and Arapaho were vast, and this was recognized through a formal treaty with some Indian Nations, including the Cheyenne and Arapaho. But the discovery of gold in 1858 precipitated the Pikes Peak Gold Rush and the flood of whites to the territories. In 1861, in an effort to bring peace to their people, ten chiefs agreed to cede the majority of their land to the United States government because the Treaty of Fort Wise was to last “as long as grass shall grow and the waters flow.” In other words, forever. The land holdings of Native Americans were redefined and they were left with territory one-thirteenth the size of the reserve they’d been allotted by the Fort Laramie Treaty of 1851.


The first time I see the name of the man responsible for the Sand Creek Massacre, I’m confused. It seems to be the name of a close relative, John Covington. I look again, and am relieved to have misread it. It’s John Chivington. In April 1864, soldiers under the command of Colonel Chivington and territorial governor John Evans started attacking and destroying Cheyenne camps, including their summer buffalo-hunting camp.


Chivington said, “Damn any man who sympathizes with Indians! I have come to kill Indians, and believe it is right and honorable to use any means under God’s heaven to kill Indians.” Eight hundred to one thousand troops left Fort Lyon, Colorado under the leadership of Chivington with a single goal—to wipe out the Cheyenne and Arapaho at Sand Creek. On the morning of November 29, 1864, they attacked.


When the Cheyenne and Arapaho realized that troops were descending upon them, they raised the American flag and a white flag as signs of peace and that they were under the protection of the federal government. Seeing the flags, two officers ordered their men to stand down. Those pieces of cloth meant nothing to the majority of soldiers. Chivington had set the tone weeks earlier with his admonition to the troops that every Indian should be dispatched: “Kill and scalp all big and little; nits make lice.” The great chief White Antelope, who’d been one of the proponents of signing the peace at Fort Wise, ran out yelling “Stop! Stop!” Realizing too late what was happening, he sang his death
song:


Nothing lives long
Only the earth and the mountains. 

Many eyewitnesses, including scouts who had been forced to take
the military to the hunting camp, came forward to tell the truth about what
happened that awful day.

Jis to think of that dog Chivington and his dirty hounds, up
thar at San Creek. His men shot down squaws, and blew the
brain out of little innocent children. You call sich soldiers
Christians, so ye? And Indians savages? What der yer ’spose
our Heavenly Father, who made both them and us, thinks of
these things?

—Kit Carson, Frontiersman,
Indian Agent, and Army officer

 

In going over the battleground the next day, I did not see the
body of a man, woman or child but was scalped, and in many
instances their bodies were mutilated in the most horrible
manner—men, women, and children’s privates cut out… I also
heard of numerous instances in which men had cut out the
private parts of females and stretched them over the saddlebows

and wore them over their hats while riding in the ranks.
 

—Lieutenant James Connor,
eyewitness testimony to Congress, 1865

 

 

Slaughtered: 133 Native Americans, including 105 women and children. Most of the Indians were killed by the four twelve-pound cannon balls fired upon them. The night before the attack, the soldiers had been drinking heavily and this resulted in many of them being killed by “friendly fire” during the Massacre.


Some Cheyenne were able to escape and walked day and night, fifty miles to the Cheyenne winter hunting camp. A number of investigations were launched, outrage was expressed, but no charges were ever brought against Chivington and his men.


My walk among the monuments lasts a somber fifteen or twenty minutes. At that time, I suspected Sand Creek was some sort of seminal event in our nation’s life, but on that day, I was ignorant about the details. I take a few photos and sit on a bench facing the monuments. My suspicions will be confirmed later when I return home and do some reading on Sand Creek. I sit on the viewing bench close by and try to sort my thoughts. As the descendent of a Cherokee great-grandfather, I’m familiar with our people’s Trail of Tears, the  forced march and migration from our ancestral lands—thousands of lives lost, our lands gone, our future bleak. No journey was ever more aptly named.


I close my eyes and ask God to give us more wisdom and care as a nation. That we be more diplomatic in our dealings with other people and less warlike, that we learn from past atrocities. But, of course, we have to be taught the history in order to learn from it, and Native American history isn’t taught in our schools. Only the victor gets to write and disseminate the official version of what happened.


In 2007, Sand Creek was named a National Historic Site and is now preserved by the National Park Service. No matter how many times I return to Denver, it is a site I will never visit.
 

Francée Covington Author’s Note

During my travels, I’ve visited every continent but Antarctica. Mystified by the rise of the Tea Party, I embarked on a mission to visit all fifty states and meet more of my fellow Americans. It’s been wonderful exploring and talking to resourceful, caring people and learning things I should have known years before. It was difficult to write about Sand Creek, but we must examine our history and continue the conversations necessary to formulate a plan for systemic change. 

Francée Covington: During a successful TV career as a producer, director, and writer of news, documentaries, public affairs, and magazine shows, Francee Covington worked at television stations WCBS in New York, WBZ Boston, and in San Francisco at KGO, KPIX, and KQED. She later formed her own video production company and led it for more than twenty years. Her clients included numerous Fortune 500 companies, The Oprah Show, and city and state agencies. Active in the community, she currently serves on the San Francisco Fire Commission. She’s retired, lives in San Francisco, and is working on a collection of short stories. 

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